GSW's range of premium quality Kolinsky brushes, GOLD SERIES. Expertly hand-crafted with a high quality wooden handle and a tip of natural Kolinsky hair, fused together by a brass ferrule. For amateur and experts alike, the GOLD SERIES range of Kolinsky brushes will provide a smooth and crisp painting experience.

Only the finest parts of the Siberian Kolinsky have been used in the elaboration of the GOLD SERIES, producing a paintbrush with bristles at the highest level for a reasonable price. These brushes are presented in a protective case to preserve their quality.

They work best with water-based acrylic paints, especially with fine techniques such as washing, blending, layering and degrading. In general, they are recommended for any technique which requires a more diluted medium. We advise against single stroke or dry brushing techniques as these may harm the tip.

This type of hair ensures a high absorption of water and paint and excellent elasticity, making it a very technical brush.

By nature, natural brushes require more care than synthetic hair brushes, as their decay may lead to a loss of firmness and broken hairs. In order for your kolinsky brushes to last longer we recommend avoiding leaving any paint residue to dry in the bristles and shaping them and sharpening the point with our Brush Repair Gel. After painting, let them stand with the bristles pointing upwards to avoid deforming the tips.

We do not recommended using Kolinsky brushes for oil paint, since the products required to clean the bristles after this type of paint can deteriorate the Kolinsky natural hair quickly.

Good maintenance of these brushes will ensure their longevity.

GSW's range of premium quality Kolinsky brushes, GOLD SERIES. Expertly hand-crafted with a high quality wooden handle and a tip of natural Kolinsky hair, fused together by a brass ferrule. For amateur and experts alike, the GOLD SERIES range of Kolinsky brushes will provide a smooth and crisp painting experience.

Only the finest parts of the Siberian Kolinsky have been used in the elaboration of the GOLD SERIES, producing a paintbrush with bristles at the highest level for a reasonable price. These brushes are presented in a protective case to preserve their quality.

They work best with water-based acrylic paints, especially with fine techniques such as washing, blending, layering and degrading. In general, they are recommended for any technique which requires a more diluted medium. We advise against single stroke or dry brushing techniques as these may harm the tip.

This type of hair ensures a high absorption of water and paint and excellent elasticity, making it a very technical brush.

By nature, natural brushes require more care than synthetic hair brushes, as their decay may lead to a loss of firmness and broken hairs. In order for your kolinsky brushes to last longer we recommend avoiding leaving any paint residue to dry in the bristles and shaping them and sharpening the point with our Brush Repair Gel (LINK). After painting, let them stand with the bristles pointing upwards to avoid deforming the tips.

We do not recommended using Kolinsky brushes for oil paint, since the products required to clean the bristles after this type of paint can deteriorate the Kolinsky natural hair quickly.

Good maintenance of these brushes will ensure their longevity.

GSW's range of premium quality Kolinsky brushes, GOLD SERIES. Expertly hand-crafted with a high quality wooden handle and a tip of natural Kolinsky hair, fused together by a brass ferrule. For amateur and experts alike, the GOLD SERIES range of Kolinsky brushes will provide a smooth and crisp painting experience.

Only the finest parts of the Siberian Kolinsky have been used in the elaboration of the GOLD SERIES, producing a paintbrush with bristles at the highest level for a reasonable price. These brushes are presented in a protective case to preserve their quality.

They work best with water-based acrylic paints, especially with fine techniques such as washing, blending, layering and degrading. In general, they are recommended for any technique which requires a more diluted medium. We advise against single stroke or dry brushing techniques as these may harm the tip.

This type of hair ensures a high absorption of water and paint and excellent elasticity, making it a very technical brush.

By nature, natural brushes require more care than synthetic hair brushes, as their decay may lead to a loss of firmness and broken hairs. In order for your kolinsky brushes to last longer we recommend avoiding leaving any paint residue to dry in the bristles and shaping them and sharpening the point with our Brush Repair Gel (LINK). After painting, let them stand with the bristles pointing upwards to avoid deforming the tips.

We do not recommended using Kolinsky brushes for oil paint, since the products required to clean the bristles after this type of paint can deteriorate the Kolinsky natural hair quickly.

Good maintenance of these brushes will ensure their longevity.

GSW's range of Kolinsky brushes, SILVER SERIES. Expertly hand-crafted with a high quality wooden handle and a tip of  natural Kolinsky hair, fused together by a brass ferrule. For amateur and experts alike, the SILVER SERIES range of Kolinsky brushes will provide a smooth and crisp painting experience.

They work best with water-based acrylic paints, especially with fine techniques such as washing, blending, layering and degrading. In general, they are recommended for any technique which requires a more diluted medium. We advise against single stroke or dry brushing techniques as these may harm the tip.

This type of hair ensures a high absorption of water and paint and excellent elasticity, making it a very technical brush.

By nature, natural brushes require more care than synthetic hair brushes, as their decay may lead to a loss of firmness and broken hairs. In order for your kolinsky brushes to last longer we recommend avoiding leaving any paint residue to dry in the bristles and shaping them and sharpening the point with our Brush Repair Gel. After painting, let them stand with the bristles pointing upwards to avoid deforming the tips.

We do not recommended using Kolinsky brushes for oil paint, since the products required to clean the bristles after this type of paint can deteriorate the Kolinsky natural hair quickly.

Good maintenance of these brushes will ensure their longevity.

GSW's range of Kolinsky brushes, SILVER SERIES. Expertly hand-crafted with a high quality wooden handle and a tip of  natural Kolinsky hair, fused together by a brass ferrule. For amateur and experts alike, the SILVER SERIES range of Kolinsky brushes will provide a smooth and crisp painting experience.

They work best with water-based acrylic paints, especially with fine techniques such as washing, blending, layering and degrading. In general, they are recommended for any technique which requires a more diluted medium. We advise against single stroke or dry brushing techniques as these may harm the tip.

This type of hair ensures a high absorption of water and paint and excellent elasticity, making it a very technical brush.

By nature, natural brushes require more care than synthetic hair brushes, as their decay may lead to a loss of firmness and broken hairs. In order for your kolinsky brushes to last longer we recommend avoiding leaving any paint residue to dry in the bristles and shaping them and sharpening the point with our Brush Repair Gel. After painting, let them stand with the bristles pointing upwards to avoid deforming the tips.

We do not recommended using Kolinsky brushes for oil paint, since the products required to clean the bristles after this type of paint can deteriorate the Kolinsky natural hair quickly.

Good maintenance of these brushes will ensure their longevity.

GSW's range of Kolinsky brushes, SILVER SERIES. Expertly hand-crafted with a high quality wooden handle and a tip of  natural Kolinsky hair, fused together by a brass ferrule. For amateur and experts alike, the SILVER SERIES range of Kolinsky brushes will provide a smooth and crisp painting experience.

They work best with water-based acrylic paints, especially with fine techniques such as washing, blending, layering and degrading. In general, they are recommended for any technique which requires a more diluted medium. We advise against single stroke or dry brushing techniques as these may harm the tip.

This type of hair ensures a high absorption of water and paint and excellent elasticity, making it a very technical brush.

By nature, natural brushes require more care than synthetic hair brushes, as their decay may lead to a loss of firmness and broken hairs. In order for your kolinsky brushes to last longer we recommend avoiding leaving any paint residue to dry in the bristles and shaping them and sharpening the point with our Brush Repair Gel. After painting, let them stand with the bristles pointing upwards to avoid deforming the tips.

We do not recommended using Kolinsky brushes for oil paint, since the products required to clean the bristles after this type of paint can deteriorate the Kolinsky natural hair quickly.

Good maintenance of these brushes will ensure their longevity.

GSW's range of Kolinsky brushes, SILVER SERIES. Expertly hand-crafted with a high quality wooden handle and a tip of  natural Kolinsky hair, fused together by a brass ferrule. For amateur and experts alike, the SILVER SERIES range of Kolinsky brushes will provide a smooth and crisp painting experience.

They work best with water-based acrylic paints, especially with fine techniques such as washing, blending, layering and degrading. In general, they are recommended for any technique which requires a more diluted medium. We advise against single stroke or dry brushing techniques as these may harm the tip.

This type of hair ensures a high absorption of water and paint and excellent elasticity, making it a very technical brush.

By nature, natural brushes require more care than synthetic hair brushes, as their decay may lead to a loss of firmness and broken hairs. In order for your kolinsky brushes to last longer we recommend avoiding leaving any paint residue to dry in the bristles and shaping them and sharpening the point with our Brush Repair Gel. After painting, let them stand with the bristles pointing upwards to avoid deforming the tips.

We do not recommended using Kolinsky brushes for oil paint, since the products required to clean the bristles after this type of paint can deteriorate the Kolinsky natural hair quickly.

Good maintenance of these brushes will ensure their longevity.

GSW's range of Kolinsky brushes, SILVER SERIES. Expertly hand-crafted with a high quality wooden handle and a tip of  natural Kolinsky hair, fused together by a brass ferrule. For amateur and experts alike, the SILVER SERIES range of Kolinsky brushes will provide a smooth and crisp painting experience.

They work best with water-based acrylic paints, especially with fine techniques such as washing, blending, layering and degrading. In general, they are recommended for any technique which requires a more diluted medium. We advise against single stroke or dry brushing techniques as these may harm the tip.

This type of hair ensures a high absorption of water and paint and excellent elasticity, making it a very technical brush.

By nature, natural brushes require more care than synthetic hair brushes, as their decay may lead to a loss of firmness and broken hairs. In order for your kolinsky brushes to last longer we recommend avoiding leaving any paint residue to dry in the bristles and shaping them and sharpening the point with our Brush Repair Gel (LINK). After painting, let them stand with the bristles pointing upwards to avoid deforming the tips.

We do not recommended using Kolinsky brushes for oil paint, since the products required to clean the bristles after this type of paint can deteriorate the Kolinsky natural hair quickly.

Good maintenance of these brushes will ensure their longevity.

This set contains:

1x Kolinsky Brush - Size 00
1x Kolinsky Brush - Size 0
1x Kolinsky Brush - Size 1
1x Kolinsky Brush - Size 2

Colouring dye for ultraviolet, epoxy and polyurethane resins. Not compatible with acrylic products.

For best results, we recommend adding a maximum of 5% dye to the mix, usually a drop or two would suffice. A thin dropper is included in the bottle for proper dosing.

All colour dyes can be mixed and matched to produce new colours.

Colouring dye for ultraviolet, epoxy and polyurethane resins. Not compatible with acrylic products.

For best results, we recommend adding a maximum of 5% dye to the mix, usually a drop or two would suffice. A thin dropper is included in the bottle for proper dosing.

All colour dyes can be mixed and matched to produce new colours.

Colouring dye for ultraviolet, epoxy and polyurethane resins. Not compatible with acrylic products.

For best results, we recommend adding a maximum of 5% dye to the mix, usually a drop or two would suffice. A thin dropper is included in the bottle for proper dosing.

All colour dyes can be mixed and matched to produce new colours.

Colouring dye for ultraviolet, epoxy and polyurethane resins. Not compatible with acrylic products.

For best results, we recommend adding a maximum of 5% dye to the mix, usually a drop or two would suffice. A thin dropper is included in the bottle for proper dosing.

All colour dyes can be mixed and matched to produce new colours.

Colouring dye for ultraviolet, epoxy and polyurethane resins. Not compatible with acrylic products.

For best results, we recommend adding a maximum of 5% dye to the mix, usually a drop or two would suffice. A thin dropper is included in the bottle for proper dosing.

All colour dyes can be mixed and matched to produce new colours.

Colouring dye for ultraviolet, epoxy and polyurethane resins. Not compatible with acrylic products.

For best results, we recommend adding a maximum of 5% dye to the mix, usually a drop or two would suffice. A thin dropper is included in the bottle for proper dosing.

All colour dyes can be mixed and matched to produce new colours.

GSW's cyanoacrylate adhesive accelerator, solvent-free alcohol-based, conveniently bottled in a mist spray format for a quick and easy use.

The Activator can be sprayed before or after applying the adhesive, but it works best when spraying onto the surface to be glued before applying the cyanocrylate glue. The Activator will then react with the glue to vastly accelerate the curing process, crystalising the cyanoacrylate almost instantly.

This will avoid the tedious waiting time for the cyanocrylate to finish drying, allowing you to continue working as soon as the cyanocrylate is used (be prepared, it can dry very very fast!).

Contains 30ml.

SAFETY NOTICES:
- Use only outdoors or in a well-ventilated area.
- Do not breathe gas/fumes/vapour from Ciano glues or the Accelerator.
- Keep out of the reach of children.
- Avoid contact with skin and eyes.
- Contains ETHANOL (ETHYL ALCOHOL). Do not spray on naked flames or any incandescent material.
- Protect from sunlight. Do not expose to temperatures exceeding 50 °C/122 °F. Keep away from sources of ignition. No smoking.
- Keep the product tightly closed in a cool place and in a place with adequate ventilation.
- Careful if applying onto painted parts, as the activator could harm dry paint.

Set of Silicone Containment Moulds that allow you to limit the edges of the bases of your miniatures when pouring liquids and resins, such as our Ultraviolet Resin. Resin will not stick to the silicone nor will it affect the transparency of the resins.

These moulds have the standard measurements of wargame bases. During the filling with resins, to reduce any potential deformities due to the high temperatures generated, we recommend the application of the resin in thin layers. Do not move or manipulate these moulds with resin inside until they have been completely hardened, since air may have trapped inside, releasing it and generating internal bubbles.

These moulds are heat resistant up to 240ºC and very durable.:

Dimensions:

20mm
25mm
40mm
50mm
25x50mm

Height: 10mm

Set of Silicone Containment Moulds that allow you to limit the edges of the bases of your miniatures when pouring liquids and resins, such as our Ultraviolet Resin. Resin will not stick to the silicone nor will it affect the transparency of the resins.

These moulds have the standard measurements of wargame bases. During the filling with resins, to reduce any potential deformities due to the high temperatures generated, we recommend the application of the resin in thin layers. Do not move or manipulate these moulds with resin inside until they have been completely hardened, since air may have trapped inside, releasing it and generating internal bubbles.

These moulds are heat resistant up to 240ºC and very durable.:

Dimensions:

25mm
32mm
40mm
50mm
60mm

Height: 10mm

Set of oval stainless steel cutters in the most frequent dimensions used to create bases as well as fillings of bases. That will allow you to cut clays and other materials quickly. Perfect for Age of Sigmar bases.

Content: 6 pieces
Material: Stainless steel
Valid for AoS
Food grade

Set of oval stainless steel cutters in the most frequent dimensions used to create bases as well as fillings of bases. That will allow you to cut clays and other materials quickly. Perfect for Age of Sigmar bases.

Content: 6 pieces
Material: Stainless steel
Valid for AoS
Food grade

The Warhammer Age of Sigmar: Soulbound Gamemaster’s Screen is an indispensable addition to every GM’s arsenal! Regardless of playstyle or experience level, the GM screen contains a wealth of useful information, with incredible artwork by artist Johan Grenier.

• The Gamemaster’s Screen: A three-panel landscape screen with stunning artwork depicting a group of Soulbound facing down an onslaught of Khorne Bloodbound and the Legions of Nagash.
• The interior screen contains at-a-glance references for the most used rules, as well as NPC names and rumours for GMs to create adventures on the fly.
• Cities of Flame: A 32-page booklet packed full of adventures set in some of the major cities in Aqshy: Anvilgard, Brightspear, Hallowheart, Hammerhal, and Tempest’s Eye.
• Includes a short introduction to each city as well as five one-page adventures per city, for a total of 25 adventures!